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Music --- Musique --- Bio-bibliography --- Dictionaries --- Biobibliographie --- Dictionnaires anglais --- 914 --- Muziekwoordenboeken en -lexica --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Bio-bibliography&delete&

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291.37 --- Processies. Symbolen. Riten. Emblemen --- Art and religion --- Dance --- Music --- Religious aspects --- 291.37 Godsdienstige ceremonieën. Religieuze symboliek. Mysteries. Inwijding --- 291.37 Processies. Symbolen. Riten. Emblemen --- Godsdienstige ceremonieën. Religieuze symboliek. Mysteries. Inwijding --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Art --- Arts in the church --- Religion and art --- Religion

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Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.

-Opera --- -Comic opera --- Narrative in music. --- -Philosophy and aesthetics --- Narrativity in music --- Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Philosophy and aesthetics --- History and criticism --- Philosophy and aesthetics. --- Program music --- Narrative in music --- Musique --- Opéra --- Philosophie et esthétique --- 19th century --- anno 1800-1899

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A search for a grammar of music with the aid of generative linguistics.This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.

#KVHA:Taalwetenschap --- #KVHA:Muziek --- Music and language --- Musique et langage --- Language and music --- Music and language. --- 159.93 --- 159.9:7 --- Music --- -Music theory --- Musical theory --- Theory of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- 159.9:7 Psychologie van de kunst --- Psychologie van de kunst --- 159.93 Zintuiglijke waarnemingen --- Zintuiglijke waarnemingen --- Psychological aspects --- Theory --- Music theory --- Language and languages --- Music psychology --- Psychology --- Music theory. --- Psychological aspects. --- Musique --- Théorie musicale --- Psychologie --- Cognition --- Psycholinguistics --- Neurolinguistic Programming --- Cognitive Neuroscience --- LINGUISTICS & LANGUAGE/General --- ARTS/Music & Sound Studies

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Music --- Bowed stringed instruments --- Instruments à archet --- Violon --- Alto (Instrument de musique) --- Violoncelle --- Contrebasse --- Bowed stringed instruments. --- Snaarinstrumenten. --- Strijkinstrumenten. --- Bowed instruments --- Bowed string instruments --- Bowed strings (Musical instruments) --- Fiddle --- Fretted instruments --- Instruments, Bowed string --- Lira (Musical instrument) --- Lyra (Musical instrument) --- Stringed instruments, Bowed --- Strings (Musical instruments) --- Viole da braccio --- Stringed instruments --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Arts and Humanities --- Current Events & News --- Performing Arts, Travel and Leisure --- strijkinstrumenten --- strijkinstrumentenmuziek --- 78.44 --- Periodicals --- Violin --- Violinists --- Discography --- Strijkers --- Muziekleven --- Viool --- Wedstrijden --- Pedagogie --- Instrumenten --- Instrumentenbouw --- Brussel --- Koninklijk Conservatorium Brussel --- De Bériot, Charles-Auguste (1802-1870) --- Vieuxtemps, Henry (1820-1881) --- Wieniawski, Henryk (1835-1880) --- Ysaÿe, Eugène (1858-1931) --- Pro Arte Quartet --- Dubois --- Grumiaux, Arthur (1921-1986) --- Werthen, Rudolf (1946-) --- Borbon, Gaspar --- Uitvoeringspraktijk --- België --- Letland --- Hirschhorn, Philippe --- 20e eeuw